Running a successful craft business today requires foresight above all else. Karin Grobe recognized this early on: even during her school years, she was passionate about sculpture.Starting in the seventh grade, her parents regularly took her to Potsdam after school, where she attended a modeling workshop—a kind of recreational course similar to a community college program. Her search for an apprenticeship, however, began with a rejection: „I initially wanted to become a stonemason in Dresden and later train as a sculptor, but a large company turned me down because they had no sanitary facilities for female apprentices.“ Today, gender equality is a major topic, but at that time, women were still rejected for such reasons, Karin Grobe recalls.Since she couldn’t find another apprenticeship, she began training with her father, Reiner Grobe. By her second year as an apprentice stonemason, she was already producing sculptural works such as compass point markings and plastic reliefs. After passing her journeyman’s examination, she laid the foundation for her career with a master craftsman’s certificate in sculpture in 1993 in Königslutter and fully joined the family business.
The company, founded in 1928, has been family-run for three generations. In 2004, the master stonemason and sculptor took over the business from her father. With gravestones accounting for 65% of sales, they remain the company’s mainstay, followed by 30% from the construction sector. A particular strength of the business is its high degree of in-house production: three out of four gravestones or memorial installations come from its own workshop. To ensure maximum creative freedom, Karin Grobe and her two employees work directly from the raw stone. To modernize the entire production process, she made substantial investments in state-of-the-art machinery from Burkhardt-Löffler.The first major upgrades began in 2021 with a 5-axis CNC bridge saw LDZ 2000, featuring automatic tool changes and vacuum lifting, as well as an edge grinding machine KSL
80. In 2024, the latest addition followed: a surface grinding machine FSA 561. The decision to partner with Burkhardt-Löffler was not made overnight but was based on a long-standing collaboration. The predecessor of the current edge grinding machine was also a KSL 80—at that time still produced by Löffler—which the engineers from Langenaltheim custom-fitted into the workshop in 1998. Positive experiences with service and spare parts supply—even overnight when needed—made the decision to invest in further Burkhardt-Löffler machines an easy one, Grobe explains.
While working with powerful machines is now a great advantage, things were far more difficult for Karin Grobe’s parents. In the days of East Germany (GDR), success required not only diligence but also a great deal of ingenuity, especially when it came to obtaining materials. „Often, we only received small stone pieces. Large, high-quality stone blocks were primarily exported to the West. Material was allocated to businesses and was never sufficient,“ she recalls. Facing chronic shortages, Reiner Grobe turned necessity into an for gravestone production, and the company quickly invested in new machinery.
Through her combination of passion for the craft, experience, and creativity, Karin Grobe successfully navigates the challenging social and economic environment. She has built a strong reputation among clients through dedication and personal commitment. Competing not on price but on quality, she holds her ground against imported gravestones from other European countries. She dedicates great care and attention to her showroom, where she presents innovative gravestone designs and unique materials. While catalog and online presentations may seem practical and cost-effective, they are less convincing in day-to-day consultations. Clients want to see the stones in person and feel the surface finishes
firsthand. To facilitate this, Grobe collaborates with granite suppliers such as Destag, Just, Böse, and J. Petasch. She carefully selects models that fit her own product range and showcases them on her company premises. Traditional
German stones are increasingly represented in her selection.Rochlitz porphyry, Beucha rhyolite, and other domestic materials are currently experiencing a renaissance, with many customers consciously opting for unique designs made from these stones. This demand reaffirms Karin Grobe’s belief that regional stones have a place in the market. She encourages fellow stonemasons to have more confidence in using German materials.
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is a trained stone sculptor and art historian. As a freelance editor, he publishes articles on natural stone extraction, technology and application. He also specializes in photography, marketing and public relations work for stonemasons, associations and institutions.
Fotos: Burkhardt-Löffler